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Best Selling Services. Your cart is currently empty. The map now has white land and gray oceans, with a slightly darker gray for coastlines and borders. You'll reorder the hillshade layer so it is no longer hidden beneath the countries layer. The hillshade hides all of the layers beneath it. You'll change its blend mode so the texture is visible without hiding the underlying layers.
Now all layers are visible. Instead of hiding the layers beneath it, the World Hillshade layer is blended into them. Currently, the map's coordinate system is set to WGS This is a common coordinate system for storing data, but it's not appropriate for displaying data on a map. A projected coordinate system should be used instead.
You'll choose a projected coordinate system that is well suited to mapping the whole of Europe. This coordinate system is conformal, so the shapes of the countries will appear true. It's also designed for mapping Europe, so distortions of area and distance will be minimized on that continent. You can learn more about choosing coordinate systems in the lesson Choose the right projection.
The map redraws with the new projection. The rest of the world is distorted to preserve the appearance of Europe. Currently, all of the countries look the same.
You'll highlight those countries where your company is operating. You'll use the Select By Location tool to select any country that contains an office within its borders, and turn that selection into a new layer. A new layer appears in the Contents pane and on the map. You'll change the outline color of the selected countries to match the official gold color from company branding. You'll save this color to your favorites style so it's easy to reuse later. On the map, some of the countries now have gold outlines instead of gray.
The Offices layer is already labeled. Next, you'll create country labels and configure some labeling properties so there are fewer edits needed later. Country labels appear on the map. You'll adjust their style to match your company's official font and colors. If you don't have Candara installed, you can choose any other font. The labels on the map update with your style changes. You'll also adjust the spacing of the labels. On the map, the country labels spread out across the wider countries.
They remain at their default spacing when there's not enough room to spread. Maps often use widely spaced labels for large areas to indicate that the name belongs to the entire region. You've now made a map with all of the elements that you need.
You removed the basemap and built your own. You changed the projection of the map, created a layer to show all of the countries containing offices, and added labels. You applied colors and fonts to match your company's brand specifications. Before you export your map to Adobe Illustrator , you'll create a layout. Exporting a layout instead of a map has several advantages: you can add surround information such as a legend, and you are better able to control the position and scale of the map.
You'll add a layout to your ArcGIS Pro project, then add the map to the layout and set its scale and extent. You'll resize and reposition the map so it fills the available space. To pan and zoom on the layout instead of the map, press and hold the 1 key. If you accidentally zoom on the map, retype 23,, in the scale box.
Now you'll be able to return to exactly the same map extent if you need to make changes to your map later. Next, you'll add a legend to the layout to explain the meaning of the map's symbols.
The legend has four items, but two of them are related to the basemap, and don't need to be explained. You'll remove them from the legend. You'll rename the layers to change the text that appears in the legend. You'll also adjust the appearance of the legend to make its spacing more compact. The Element pane appears, displaying properties for the Legend element. The legend updates to show a white square instead of a rectangle. Finally, you'll convert the legend to graphics.
This will make the legend easier to work with once you are in Illustrator. You'll replace this static text with dynamic text so you can more easily format it to match the appearance of the rest of your map. For now, it doesn't matter where you add the credit text; you'll reposition it later in Illustrator. You created a layout for your map, where you set the scale and extent, added a legend, and formatted the map's attribution text. But because this map will need to be maintained by the graphic design team, you'll convert it into an Adobe Illustrator file and finish the design there.
That way, the graphic designers you work with will have a document that they can more easily update and adjust. New or updated data can still be added to the map as well with the ArcGIS Maps for Adobe Creative Cloud plug-in so the design team can make geographic changes, as well as graphic ones.
Accept the default settings on the remainder of the pane. These settings will ensure that vector text and graphics are not converted to raster images, and that the file size is kept relatively low.
One of the windows may be hidden behind the other. Next, you'll learn how to navigate on the map in Adobe Illustrator. You can switch between tools with keyboard shortcuts.
Before you edit your map, you'll familiarize yourself with the layer structure in Illustrator. You'll remove a few layers that aren't needed in your map, then save the file as an Adobe Illustrator AI file. All of the graphics from your map and layout are listed here. The layer structure matches the one you created in ArcGIS Pro , although it may not look familiar at first.
Layers work a little differently in the two programs, which is why you see more layers in Illustrator than you did in ArcGIS Pro.
You now know which map features are stored in each layer. It's important to gain this familiarity before editing your map. A list appears, showing one row for each of the green labels on the map. These are not layers, but text objects contained within the Corporate location — Class 1 layer. These objects trim any extra map data so it does not extend beyond the artboard's edges.
In this case there is only a tiny amount of extending data, so you don't need to keep any of the clipping paths. Next, you'll explore how the Map Frame layer is organized. The Map Frame layer contains the Offices Map layer, which contains all of the geographic features. This nested hierarchy of layers may seem unnecessary, but it's important that you keep the map inside of the Map Frame layer.
The Map Frame layer provides the reference geometry that will allow you to add more geographic data later and keep it all aligned. Inside the Offices Map layer, there is a sublayer for each of the layers from your original map: Corporate location , World Hillshade , Operating country , Countries , and GlobalBackground.
Each of these layers has its own sublayer with the same name. If you had symbolized a layer with multiple symbol classes, the layer would have a sublayer for each class.
The sublayers contain an object row for every map feature. Vector data from your map is stored as paths and compound paths, while raster data is stored as images.
Next, you'll save the map as an Illustrator file. You formatted your map as a layout, added a legend, and exported the layout to an AIX file. Then you examined the layer structures of the AIX file in Adobe Illustrator and removed some layers that weren't needed. Your map is now stored as an Illustrator document, which can be opened and edited by anyone with Adobe Illustrator.
This format means that both GIS and design professionals can help to design and maintain the map. Next, you'll make some graphic changes to your map. You'll change one of the symbols and adjust all of the text to improve the map's clarity. You'll also apply a clipping mask and a drop shadow so the map matches your brand's aesthetic. The gold countries are not clear enough on the map. You'll give them a transparent gold fill to make them more obvious.
All of the objects in the Operating country layer are now selected. The selected countries on the map turn gold. You'll change the color's transparency in the Appearance panel.
If the Appearance panel is not visible, open the Window menu and check Appearance. The Appearance panel does not provide any information about the gold fill or outline, because it is only showing the appearance properties of the Operating country layer, rather than the paths inside of the layer. You need to adjust the appearance of the layer's contents.
If you don't see a Contents button, open the Layers panel and make sure that the Target button is selected for the Operating country layer. More symbol properties appear in the Appearance panel. Both the stroke and the fill have their own Opacity setting, in addition to third Opacity setting that affects the entire symbol. The operating countries now have an opaque gold outline and a transparent gold fill. Next, you'll update the legend to match your changed symbol.
You'll use the eyedropper tool to borrow symbol properties from a country shape and apply them to the legend shape. First, you'll turn off the World Hillshade layer so it doesn't interfere with the eyedropper tool. The legend updates to have a transparent gold fill. It now matches the layer that it represents on the map. One of the reasons you've converted your map into an AI file is so you can apply some graphic effects. You'll clip the map to the shape of the company's logo.
This will make it a more eye-catching graphic for the website. You'll start by adding a layer to store the new clipping path shape. A new layer appears in the Layers panel. A new Illustrator document opens. It contains only one shape: a circle with an arc cut out of it. The logo shape appears on the map. It was added to the Logo layer, which now shows the shape in its thumbnail.
It's OK if the legend and some labels are outside of the shape. You'll reposition them later. Next, you'll use the logo shape to make a new clipping path. Next, you'll reposition the legend and the labels. Perfect positioning for all of the labels won't be possible, but you'll be able to improve many of them to make a more legible and professional-looking map. The Map Frame layer and all of its sublayers are now locked.
Now you can edit the text on the map without accidentally moving any of the map objects. It's important to provide attribution for map data.
If you don't want to include it on the map itself, you can add it somewhere else on your web page. This label crosses many coastlines, which makes it harder to read. You'll move it to a better location to make the map more legible.
You'll add an outline and a drop shadow to the map so it appears to float on the background of your web page. You'll achieve these effects with a duplicate of the Logo layer.
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The following video tutorial will walk you through the process adbe adding, editing, adobe illustrator cc drop shadow free removing drop shadows in Adobe Illustrator:. Illudtrator order to add a drop shadow in Illustrator, we first need an object to apply it to.
Illustrator lets you apply drop shadows to single objects or to multiple objects at once, and it works the same either way. For this demonstration I will applying a drop adobe illustrator cc drop shadow free to the following avatar design, which consists of a series of multiple objects:.
The Drop Shadow menu will populate on your screen, illustrattor a preview rendering of how your shadow will look once applied will be generated as well:. If you are satisfied with the look and feel of your drop shadow then you can press OK to adobe illustrator cc drop shadow free it. To adjust its properties further, continue on to the next steps.
Within the Drop Shadow menu is an assortment of adjustments you can make to the appearance of your drop shadow. The Mode preset allows you to change the blend mode of your drop shadow.
In short, blend modes dictate how an object interacts with another object that is positioned beneath it. You can learn more about all of the different types of adobe illustrator cc drop shadow free modes hereor you can cycle through each blend mode yourself to see how it affects the appearance of your shadow. The Opacity sharow allows you to control how transparent adobe illustrator cc drop shadow free opaque your drop shadow is. Increasing the opacity will make it so that the background does not show through your drop shadow, making it more defined.
Decreasing it will reduce its transparency, allowing more of the background to show through. Adobe illustrator cc drop shadow free the X Offset and Y Offset settings allow you to change the position of your drop shadow on the artboard. Changing the X Offset will move your shadow left and right, whereas the Adobe captivate 8 wikipedia free Offset will move your shadow up and down. The Blur setting controls the size, softness illustratlr definition of your drop shadow.
Increasing the blur will make your drop shadow larger, softer, and less visible. Decreasing it will make ffree smaller, more tree, and more visible. The Color preset allows you to change the color of your drop shadow in Illustrator. Clicking on it will open a color picker for you to choose your color:. You can also click the Color Swatches button to choose a color based on any saved swatches you may have.
Finally, the Darkness preset is an alternative to the Color option. This can give your shadow a more realistic look. Within the Appearance menu, you should see a list item titled Drop Shadow. Clicking on the name will open the Drop Shadow menu so you can edit its properties the same way you did when you created it. Within the Appearance menu, vrop should see your drop shadow listed. Simply click on the layer to select it, then click the little trashcan icon adobe illustrator cc drop shadow free the bottom-right corner of the menu to delete it.
Converting your drop shadow to a vector path will allow you to save your cc in various vector formats so it can be opened and worked on in other vector design applications. This will separate your drop shadow from the object it was applied to, making it an independent shape of its own.
Thanks to some of the Effects features, adding a drop shadow in Illustrator is a simple and convenient process. In other applications, this illsutrator to be done manually by creating duplicates of objects, blurring them, and placing them beneath the original.
If you have any shadkw, or if any part of this lesson was unclear, simply leave a продолжить below. Want to learn more about how Adobe Illustrator works? Check out my Illustrator Explainer Series illustraotr a comprehensive collection of over videos where I go over every tool, feature and function and explain what it is, how it works, and why it's useful.
This post may contain /36202.txt links. Read affiliate disclosure iklustrator. Your email address will not be published. Save my name and email in this browser for the next time I comment. Attempting to create animated GIFs in previous versions of Inkscape proved difficult due to a lack of proper tools. Thanks to some of the advancements in fere 1. Arguably the most powerful tool Adobe Illustrator has to offer is autodesk max serial number free Envelope Distort feature, which allows you warp and distort vector objects in any imaginable way.
In this tutorial we'll be going Skip to content. Leave a Reply Cancel reply Your email adobe illustrator cc drop shadow free will not be published. Read More. To add a drop shadow in Illustrator, select your object and navigate to EffectStylizeand illustratro Drop Shadow. Use the Drop Shadow menu to adjust the settings to your preferences, then click OK to apply the changes.
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